Saturday, November 3, 2012

Does Paying for a Photo Make it Yours?

As it pertains to the ownership of intellectual property, copyright is one of the most difficult concepts for most people to understand.Technology has exacerbated these misconceptions as almost everything we want are moments, sometimes seconds away. Immediate gratification and tech has led to significant misinterpretations about what constitutes ownership of intellectual property and when it comes to copyright, the rules are a bit more complicated. 

You can read the details of copyright law for yourself at www.copyright.gov. As it relates to this subject, copyright nearly 100% of the time belongs to the creator of that property. As it pertains to photographic works and design, it is the creator (filmmaker, photographer, designer) that holds exclusive ownership over that material. That means you cannot copy it, scan it, re-distribute it, license it, modify it, edit it, even so much as change the color of it in any media type without specific and uncontested proof of permission from the copyright holder (the creator).

Let me use an example to place intellectual property into perspective. Let us look at software. You’ve gone to the store and purchased your next scheduled upgrade of software; let’s assume it’s Windows 8. You’ve paid for it. You believe you own Windows 8. Actually you do not own anything. You have purchased a license agreement for personal use for your home computer. Microsoft owns Windows 8 and you are purchasing a CD/disc or download which grants you a limited license to install a copy of their software on your system. You cannot change it, edit it, copy it, redistribute it or do anything that changes the fundamental properties of that software or the manner it is distributed. It is not yours. You’re leasing it in a sense. If by chance you manage to copy it you have just violated copyright law and subject to the maximum penalty with such an offense simply because you made a copy of it onto another disc. 

Other intellectual property is not considerably dissimilar. Consider photographs. The holidays have arrived and you have found a professional photographer to take images of your entire family to make greeting cards. You’ve found the photographer, paid the booking fee if applicable and paid the fee he or she charges for such a session. You ordered a few prints for your wall and photo album and possibly purchased downloads to go on your social networking site like Facebook. Then another relative says they would like a copy of a specific image. You do not really want to bother the photographer and more so you do not want to spend the money by ordering one more print or download. So you place the image you have on your alleged high end scanner/printer at home and copy and print your own. You know what? You just violated several rules of copyright law and subject to fines and severe penalties. But you believed that you paid for it once why pay again. What you have failed to realize that payment alone does not transfer copyright ownership and more specifically, it does not grant you the right to re-distribute, copy, or modify intellectual property that belongs to someone else. 

Just like software, you cannot legally burn discs of operating system software and give it to your family or your friends without severe legal repercussions if and when you’re caught. Most creators give clients the option to purchase exclusive property ownership. However, such situations are rare and often expensive. The photographer has to consider any and all associated advertising potential, future sales, add on sales, promotional potential and creative ownership that property has and ever will have. Your $10,000 wedding images may easily be $25,000 if a photographer chooses to give up all ownership to that property. Unless he or she has written a specific statement that grants you copyright ownership of those images, then you do not and will not ever own them. Even death of photographer does not necessarily transfer ownership. It often goes to heirs, the business entity under which the property was created or their estate.  

Technology has created a few gray areas in copyright law due to online sharing and digitized content. Law like many things, is often up to interpretation by the end user or the person committing the infraction. But as far as the letter of the law, it is very clear when an infraction may or has occurred. If you purchased a print or photograph whether you paid for it or not, then you scanned it and put it on your Facebook profile; officially you broke the law by violating intellectual property rights. However, it will probably slide by if the photographer does not file suit against you. Most would not because they may want the exposure. More than likely they would not because they do not have the financial resources to combat such an infraction. But I have known a few to do so and the violator nearly always lost in court. What is often considered is the lost of revenue for current, future and all associated sales that image would have had if it remained under the intellectual property control of the creator. It can get very expensive for what you may think is a small infraction. As it pertains to law, ignorance does not equate to innocence.

There are very few situations where copyright may not always automatically fall to the creator. Such cases might be in a business environment when a photographer is an employee of a business entity and the entity itself assumes the right of the creator. Yet, even these cases are argumentative short of an agreement between the designer, photographer or filmmaker to the contrary.

It is best to know and protect your rights not only as the creator but also as the client or business. Seal the rights, uses, and privileges with an agreement outlining how, when, where and why intellectual property will and can be used. 


Tuesday, August 14, 2012

plum fetish

plum fetish by helios00
plum fetish, a photo by helios00 on Flickr.
It looks like a studio photo. However, it was taken outdoors around 10:00 a.m. if memory serves. Despite the fact I forgot to bring the fruit (plums), It was decided to still call it "plum fetish" for the colors from the makeup.

Friday, July 13, 2012

On Location Photography - Outdoors

garden by helios00
garden, a photo by helios00 on Flickr.
With this weather, any chance to get outdoors and do those back log of outdoor fashion portrait photos I'm taking it.

On-location photography is as exhausting as it rewarding. Although I normally prefer the ultimate control a studio environment gives, nothing beats natural backdrops and picturesque settings as given by the outdoors. You simply can't buy (or afford to buy) every single color backdrop that you would find in nature.

But it's not without its challenges. Nature is what nature does; it's often unpredictable. It gets cold, hot, rainy, humid, too bright and too dark. Then there are bugs, and ants and sweat (I hate sweating). But if that's not the worst of it it's the lugging your equipment around for what are literally miles on foot. You have to pack it all up and hope you don't forget anything when you leave. Then double and triple check to make sure you didn't leave anything behind.

This is what has compelled me to alter my photography shooting style as well as what equipment I now utilize. Shoot more, pack lighter and buy better. In short, buy less equipment, buy lighter equipment for mobility but buy better equipment. You need stuff that can hold up to being banged around a bit. But when the sun is just right, you also don't want to be caught still struggling trying to setup huge pieces of equipment when your moment comes and passes you by.

But now that I'm starting to get a handle on what I need and what I don't need, I'm finding that outdoor on-location shoots are all worth it. Images take on a depth and a more dynamic characteristic you simply can't get indoors.

All things being equal, you are limitless in what you can do provided that you have the right location, the know how and of course a perfect subject.

Monday, July 9, 2012

"Road Trip" by heliosimaging

"Road Trip"
Registered © 2012 heliosimaging
All Rights Reserved

This image is part of an editorial series by Helios inspired by a commercial ad by Armani X I discovered a few months ago. Surprisingly, I believe the ad to be several months if not a year older. To say that I was wowed would be an understatement when I saw the ad trailer. 
I will be featuring the full editorial on the site at www.heliosimaging.com as soon as time allows. It was major inspiration but as with all things I generally do, I took my own creative route as the shoot unfolded. 
Born out of desperation spawned from a last minute shoot cancellation I decided to move forward with the shoot anyway. With that many resources, time and expenses at play I simply couldn’t abandon the entire exercise albeit still inconvenient in the worst way. We cut the shoot time in half, changed the general flow of the theme, and tweaked the angles to produce something we thought was even more compelling. It ended up being a much shorter shoot than originally planned but with that unexpected wrinkle what could you expect. 
It was a huge success by any measure. I can’t say what the motivations were beyond what I was told for the cancellation but I can say that the original model seriously missed out. The shoot was a real back bender in the real sense of the word so the stand-in model who claimed to be of advanced age and retired from such modeling stunts clearly came out ahead and may have been the better choice all along. Professionalism, communication, common courtesy and a willingness to go above and beyond is what makes all this stuff worthwhile. I love working with dependable people. 
Beyond that I was a bit sore myself from the climbing, bending, leaning and twisting  and more so without the help of my assistant. That being said, it was my assistant that became my stand-in and boy was I wrong to pass her up. I should have insisted on her shooting the series when I first mapped out the idea. I was lucky she agreed with only two hours to prepare before the shoot. But hey, I’m a sucker for newbies and really wanted to give an upstart a shot. Maybe someday when I get past the huge disappointment this time, and with TFs in general that I understandably seldom do, a time will come again.
In any event, look out for it. At least a half dozen more images are being refined right now. I will keep you posted as to when it will be featured on the primary site at www.heliosimaging.com. 

Tuesday, July 3, 2012

Mojo Spirits 1

Mojo Spirits 1 by Coco rococo
Mojo Spirits 1, a photo by Coco rococo on Flickr.
Seeing these images made me realize just how important a wardrobe stylist, an mua, and a hair stylist really are. See the full series by Coco rococo on Flickr.

As a photographer, your job is vast enough. You're coordinating, directing, composing and employing your mastery of light and composition. The last thing you need to worry about are shoes, loose hairs, and wardrobe malfunctions.

As the photographer, you have to know a bit about it all. But your focus is mastering the shot and capturing the essence of the moment in every detail. That requires a keen eye and often not just yours.

I have a deep appreciation for the process which is why I always search for images to encourage and inspire me like this one. The entire set is spectacular and even invokes a sense of pride in seeing how such goddesses are portrayed with the dignity, beauty and grace they are worthy of.

Monday, July 2, 2012

2012 Olympic Team Horrible Photo Failure

Check out this horrible photo failure of the 2012 Olympic Team...

http://fstoppers.com/these-photos-of-the-2012-united-states-olympic-team-have-hit-a-nerve-with-the-public


An inside joke or not these athletes represent what is the United States' best in terms of performance, discipline, training, physical prowess and conditioning. They should be represented in a fashion representative of those achievements. These images are horrible and if they were a PR stunt then that PR person should be fired. If they were test shots then the person that authorized their release should be fired or at least disciplined. 
In response to someone that commented earlier on this article that the amateurship looking studio shots are a new trend and even purposely lit badly or poorly edited; that's simply because there are so many wannabes calling themselves photographers. It's not a trend. It's a symptom of a market overcrowded with people that own cameras and call themselves photographers. The fact that you see it as a trend is because there is so much of it. High end well established photographers are still doing high end work. These shots are a travesty.

Sunday, July 1, 2012